Modern Pictorialism is my rebellion against the scroll.
 

In an era of hyper-sharpness and instant gratification, I'm working in soft focus and slow recognition. These images emerge from a technical choice—using a macro lens beyond its focal length—that transforms the world into fields of light, color, and shape. No recognizable subjects. No post-production. Just what I saw and felt in the moment.

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The lineage is deliberate: the painterly romanticism of Stieglitz's Photo-Secessionists meets the meditative color fields of Rothko. But this isn't nostalgic. It's a contemporary argument for photography as an evolving fine art—one that trusts atmosphere over information, mood over 'like' counts.